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DTSTART;TZID=America/Los_Angeles:20190615T180000
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SUMMARY:CIACLA Launch & Amanda Coogan Exhibition Opening
DESCRIPTION:CIACLA was officially opened by Special Guest Robert O’Driscoll\, Consul General of Ireland – Western United States. \nCIACLA’s summer program is focused on public engagement\, showcasing multidisciplinary contemporary art projects that engage with local communities and interrupt the vision of what ‘Ireland’ is. \nCIACLA operates as a creative hub for Irish and local partners to showcase their activities; through a programme that aims to support work that is new\, experimental and unrestricted. CIACLA facilitates collaborative events with local artists and cultural partners while also showcasing artists\, curators and institutions based in Ireland. \nCIACLA promotes Contemporary Irish Culture and supports local diverse communities through a multidisciplinary programme\, in collaboration with local and international cultural partnerships. CIACLA is focused on developing a creative platform to support and challenge artists as a means of promoting creative innovation and collaborative initiatives in Los Angeles. \nThe Ladder is Always There – Visual Arts Exhibition by Amanda Coogan \nOpening June 15th @ 6pm \nRuns to July 5th \nOpen Wed – Sun\, 1-6pm \nCurated by Matthew Nevin & Ciara Scanlan. \nIn The Ladder Is Always There\, internationally renowned Irish performance artist\, Amanda Coogan\, has created an immersive site specific installation\, alongside a series of live performances.  \nContinuing her explorations of embodiment and liveness\, Coogan’s installation hangs over the gallery of CIACLA. Audience walk into and stand underneath its groaning presence. First commissioned by MOCA Jacksonville in response to a hand painted dress by Mark Chagall for Stravinsky’s Firebird suite. Made of fabric the colour of the artist’s skin\, the sculpture hangs entangled in peaks and troughs calling to mind a landscape\, a seascape or an extension of the body. A ladder\, suspended from the ceiling at an unattainable height\, is always there; a metonym for the potential of movement and change. Through a series of live performances the installation will shapeshift. Performers will move the membrane of the sculpture\, lowering and raising its peaks; shifting perspectives. \nAs with much of Coogan’s work the installation is visually stunning and carries with it poetic resonances. The activities of the silent bodies of the performers rearranging the installation suggest multi resonant layers of meaning. Their gestures\, based on Irish Sign Language alongside the pulsating soundtrack – relating to the Adrienne Rich poem\, Diving into the Wreck\, pour further rich sources to the work.  The Ladder is Always There speaks to a metaphorical journey in which Coogan and by extension\, the other performers\, dive into or work to overcome an obstacle. \nThe first iteration of The Ladder is Always was commissioned by and exhibited at the Museum Of Contemporary Art Jacksonville in 2018/2019. We show it here at CIACLA with special thanks to Caitlin Doherty. \nThe installation features new Music by Emer Kinsella. \nAbout the Artist: Amanda Coogan \nAmanda is an internationally recognised and critically acclaimed artist working across the medias of live art\, performance\, sculpture and installation. The Irish Times have said\, ‘Coogan\, whose work usually entails ritual\, endurance and cultural iconography\, is the leading practitioner of performance in the country’. Her extraordinary work is challenging\, provocative and always visually stimulating. Using gesture and context she makes allegorical and poetic works that are multi-faceted\, and challenge expected contexts. She is one of the most dynamic contemporary artists practising in live art. \nThe body\, as a site of resistance\, is the centrality of Coogan’s work. She encompass a multitude of media; Objects\, Text\, moving and still image\, all circulating around her live performances. Her expertise lies in her ability to condense an idea to its very essence and communicate it through her body. Time is a key material in Coogan’s practice\, building controlled instability into the fabric of her work. The long durational aspect of her live presentations invites elements of chaos with the unknown and unpredicted erupting dynamically through her live artworks. \nCoogan was awarded the Allied Irish Bank’s Art Prize and has extensively presented and performed her work\, including at The Venice Biennale\, Liverpool Biennial\, PS1; New York\, The Whitworth Gallery; Manchester\, The Museum of Fine Arts; Boston\, Van Gogh Museum; Amsterdam and the Manchester International Festival; The MAC\, Belfast; The Niemeyer\, Aviles. From 2010-2013 Coogan worked with theatre director Robert Wilson on his production The Life and Death of Marina Abramovic where two of her works are quoted; Yellow and Medea. In 2016 the British Council commissioned her to produce Run to the Rock\, a mediation on Shakespeare’s text from the Robbin Island bible for their Shakespeare Lives programme. She has just closed a major live exhibition; I’ll sing you a song from around the town\, which Artforum described as ‘performance art at its best’. \nwww.amandacoogan.com \n\nKindly Supported by Culture Ireland and the Government of Ireland: Emigrant Support Programme.
URL:https://ciacla.com/event/launch/
LOCATION:CIACLA\, Suite B1\, Bergamot Station\,\, 2525 Michigan Avenue\, Santa Monica\, CA\, 90404\, United States
CATEGORIES:Performance,Visual Arts
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ORGANIZER;CN="CIACLA":MAILTO:info@ciacla.com
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